Backspot
“Backspot” dives into the demanding world of competitive cheerleading. Led by Riley (Devery Jacobs), the film explores the athletes’ struggles for perfection under immense pressure. While the characters lack depth, their impressive athleticism and the film’s realistic portrayal of obsession make for a compelling watch.
Backspot,
The movie “Backspot” offers a unique perspective into the intense and demanding world of competitive cheerleading. Directed by the non-binary filmmaker D.W. Waterson, the film explores the pursuit of athletic excellence through a queer lens, shedding light on the inherent contradictions and challenges faced by these young female athletes.
Glimpse into the Elite World of Cheerleading
From the opening sequence, Waterson masterfully captures the dizzying yet controlled nature of competitive cheerleading. The film follows Riley, whose position as the “backspot” places her as the leader and anchor for the team’s elaborate stunts. Portrayed by the talented Devery Jacobs (“Reservation Dogs,” “Echo”), Riley presents a facade of unstoppable ambition while grappling with insecurity and anxiety beneath the surface.
Joining the Prestigious Thunder Hawks
When Riley, her girlfriend Amanda (Kudakwashe Rutendo), and their mutual best friend Rachel (Noa DiBerto) get to join the more prestigious Thunder Hawks squad, they seize the chance. The team’s leader, Eileen, played with delicious intensity by Evan Rachel Wood, sets the tone for the exacting and uncompromising environment. Thomas Antony Olajide adds a touch of humor as Eileen’s supercilious second-in-command, reminding the newcomers of the seriousness of their endeavor.
Pressure, Contradictions, and Personal Struggles
Unlike the playful nature of movies like “Bring It On,” “Backspot” portrays cheerleading as a deadly serious business, where anything short of absolute victory is considered a failure. This immense pressure heightens the instincts and struggles of the young athletes, both positively and negatively. The film offers glimpses into their home lives, revealing the contrasting environments that shape their personalities and motivations.
Characterization and Emotional Depth
While Joanne Sarazen’s script may lack characterization beyond the core group, Jacobs, Rutendo, and DiBerto’s performances bring depth and emotional resonance to their roles. DiBerto’s portrayal of the reckless party girl Rachel provides much-needed comic relief amidst the toxic environment.
Impressive Athleticism and Visual Spectacle
Waterson’s direction and editing choices, including the powerful image of Riley plucking out her eyebrow hairs one by one, effectively convey the characters’ manic inner states. However, the film’s true highlight is the spectacular finale, a long, single take showcasing the Thunder Hawks’ competition routine. The fact that the actresses must act while executing acrobatic feats makes their performances even more impressive.
Realistic Portrayal of Obsession
The final moments of “Backspot” may frustrate viewers seeking affirming lessons or positive character growth. However, the film succeeds in its realistic portrayal of an all-consuming drive, sticking the landing as a compelling exploration of the intense world of competitive cheerleading through a unique, queer perspective.